果美侠 研究馆员
Guo Meixia (China), Researcher, Ph.D in History
果美侠，女，汉族，历史学博士。1976年12月出生于北京，2003年进入故宫博物院工作，现为院办公室主任，研究馆员。
主要负责博物馆宣传、行政管理、博物馆教育策划等，有丰富的博物馆管理与教育策划、执行经验。2014年参加美国盖蒂领导力培训，并以相应理论指导工作实践，形成独特的团队管理和项目管理体系。2020年被评为文化和旅游部优秀专家。国际博协资源配置委员会成员。
主要研究方向为博物馆教育和中国古代文化史，先后发表大都会博物馆教育、馆校合作、儿童教育、教育策划、志愿者管理等博物馆教育管理与实践文章；策划、编撰出版《宫廷活计快乐学》《故宫博物院课程教材•综合实践活动》《宋代官窑瓷器导读》《兰亭的故事》《哇，故宫的二十四节气》《我要去故宫》《了不起的故宫宝贝》等多个博物馆教育读本；文化史方面发表陶瓷纹饰考证、中国宫廷传教士服饰研究、清宫西洋画家选派等学术文章。
Dr. Guo Meixia started her career in the Palace Museum in 2003, and currently serves as the chief of The Director’s Office.
Her major responsibilities include museum promotion, administrative management and education programs where she has a great deal of professional expertise. In 2014, she attended the training program at Getty Leadership Institute, and later applied and adapted what she had learned from that program to her work, developing distinctive systems of team management and project management in the Palace Museum. In 2020, the title of “Outstanding Expert” was bestowed upon her by China’s Ministry of Culture and Tourism. Besides, she has been the member of Strategic Allocation Review Committee (SAREC), one of the seven Standing Committees of ICOM.
Dr. Guo’s work and research mainly focuses on museum education and ancient Chinese cultural history. On museum theories and practices, she has published papers over various topics such as education practices of The Metropolitan Museum of Art, museum-school partnerships, children education, educational program development, and museum volunteer management; and she has also acted as the mastermind and chief editor of a wide range of popular educational books including Handicraft Activities in the Palace Museum, Stories of Orchid Pavilion, A Guide to Guan wares in the Song Dynasty, The Amazing 24 Solar Terms in the Palace Museum, See Inside the Palace Museum, and Old Objects Inspiring Stories. On cultural history, her academic research and results, including the decorative patterns on Chinese ceramics, clothes and accessories of the western missionaries into ancient China, and western painters dispatched to the Qing court, have all been published in authoritative history journals.
